Film Directors
A film director, or filmmaker, is a person who directs the making of a film. A film director visualizes the script, controlling a film's artistic and dramatic aspects, while guiding the technical crew and actors in the fulfillment of their vision.
However, film directors do not in all countries have absolute artistic control. The director can also be selected by the producer. The producer can in this case have veto power over everything from the script itself to the final cut of the film, often in anywhere from slight to extreme opposition to the director's vision.
When directing episodes for a television show, a director's responsibilities are somewhat diminished, as the visual look and feel of the series is already established, usually by the person billed as the show's creator or executive producer. Those directors who choose or are chosen to work in TV traditionally have had to accept that they will not be as lauded, or as well-paid, as their big-screen counterparts.
Ingmar Bergman examines lighting conditions, apparently through x-ray film, during work on Wild Strawberries.
The film director, on the right, gives last minute direction to the cast and crew, while filming a costume drama on location in London.
Directors have different methods of filming. Some styles include:
Outline a general plotline and let the actors improvise dialogue. Directors who employ this style are Luke Porter, Christopher Guest, Spike Lee, David Gordon Green, Wim Wenders, Jean-Luc Godard, Miklós Jancsó and occasionally Robert Altman and Federico Fellini. Control every aspect, and demand that the actors and crew follow instructions precisely. Such as Steven Spielberg, James Cameron, George Lucas, Francis Ford Coppola, Stanley Kubrick, David Fincher and Alfred Hitchcock
Write their own scripts (such as Woody Allen, Ingmar Bergman, Stanley Kubrick, Charles Chaplin, Billy Wilder, David Lynch, the Coen Brothers, Pedro Almodóvar, Kevin Smith, Quentin Tarantino, Todd Field, Paul Thomas Anderson, Satyajit Ray, Oliver Stone, Terrence Malick, John Singleton, Spike Lee, Akira Kurosawa, Hayao Miyazaki, M. Night Shyamalan, Billy Bob Thornton or Robert Rodriguez).
Collaborate on screenplays with long-standing writing partners (such as David Fincher, Wes Anderson and Owen Wilson/Noah Baumbach, Edgar Wright and Simon Pegg, Martin Scorsese and Nicholas Pileggi/Paul Schrader/Jay Cocks, Yasujiro Ozu and Kôgo Noda, Peter Jackson and Fran Walsh, or Robert Zemeckis and Bob Gale, Krzysztof Kieslowski/Krzysztof Piesiewicz, Frank Capra/Robert Riskin, Michelangelo Antonioni/Tonino Guerra). Be the cinematographer and/or editor (such as Stanley Kubrick, Steven Soderbergh, Josef von Sternberg, David Lean, Don Coscarelli, Robert Rodriguez, Gaspar Noe, David Fincher, and the Coen Brothers).
Appear in their films (such as Alfred Hitchcock, Orson Welles, Subhash Ghai, Mel Brooks, Mel Gibson, Martin Scorsese, Peter Jackson, John Waters, John Carpenter, Spike Lee, Eli Roth, Kevin Costner, Michael Bay, Clint Eastwood, Woody Allen, Quentin Tarantino, Charlie Chaplin, John Carpenter, Sam Raimi, Roman Polanski, Billy Bob Thornton, Sylvester Stallone, M. Night Shyamalan, Harold Ramis, John Woo, Kevin Smith, or even Edward D. Wood, Jr., Stan Lee). Arrange for family members to star in their films, such as Francis Ford Coppola, Martin Scorsese and Robert Rodriguez.
Compose a music score for their films (such as Charlie Chaplin, Clint Eastwood, John Carpenter and Robert Rodriguez). Collaborate with various actors in numerous films, such as Martin Scorsese, Quentin Tarantino, Spike Lee, Tim Burton and Alfred Hitchcock. Collaborate with producers such as Steven Spielberg with Kathleen Kennedy and Ron Howard with Brian Grazer.
Directors work closely with film producers, who are responsible for both artistic and non-artistic elements of the film, such as, script approval, financing, casting notes, contract negotiation and marketing. Some directors will take on some of the responsibilities of the producer for their films. Directors like Orson Welles are famously known for writing, directing and producing their films while the early silent film director Alice Guy Blaché not only produced her own pictures, but actually created her own highly successful studio.
In the United States, directors usually belong to the Directors Guild of America. The Canadian equivalent is the Directors Guild of Canada. In the UK, directors usually belong to Directors Guild of Great Britain. A new director might earn as little as $20,000 a year, while the most successful can earn over $500,000 or even millions per film in some cases